{"id":50302,"date":"2026-10-01T15:34:58","date_gmt":"2026-10-01T15:34:58","guid":{"rendered":"https:\/\/gpnewswire.com\/news\/james-baldwins-advice-on-writing\/"},"modified":"2026-10-01T15:34:58","modified_gmt":"2026-10-01T15:34:58","slug":"james-baldwins-advice-on-writing","status":"publish","type":"post","link":"https:\/\/gpnewswire.com\/news\/james-baldwins-advice-on-writing\/","title":{"rendered":"James Baldwin\u2019s Advice on Writing"},"content":{"rendered":"

\u201cTalent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.\u201d<\/h3>\n
\n

\"James<\/a><\/p>\n

In 1989, Paris Review<\/em> founding editor and trailblazing interviewer<\/a> George Plimpton edited a wonderful collection titled The Writer\u2019s Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the 20th Century\u2019s Preeminent Writers<\/em><\/strong><\/a> (public library<\/em><\/a>). Among them was novelist, poet, essayist, and playwright James Baldwin<\/strong> (August 2, 1924\u2013December 1, 1987), whom Plimpton had interviewed on two separate occasions in early 1984, half a century after Baldwin read his way out of Harlem<\/a> and into the pantheon of literary greatness. <\/p>\n

In a fantastic addition to the collected wisdom of celebrated writers<\/a>, Baldwin looks back on his formidable career and shares what he has learned about the creative process, the psychological drivers of writing, and the habits of mind one must cultivate in order to excel at the craft.<\/p>\n

\"\"<\/a>
James Baldwin writing<\/figcaption><\/figure>\n

Reflecting on what motivates great writers to write \u2014 an enduring question also addressed beautifully by George Orwell<\/a>, David Foster Wallace<\/a>, Italo Calvino<\/a>, and William Faulkner<\/a> \u2014 Baldwin sides with Bukowski<\/a> and argues that the supreme animating force of the writer is the irrepressible impossibility of not-writing: <\/p>\n

\n

Something that irritates you and won\u2019t let you go. That\u2019s the anguish of it. Do this book, or die. You have to go through that. Talent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.<\/p>\n<\/blockquote>\n

Endurance, indeed, is perhaps the sole common denominator among successful authors<\/a>. Any aspiring writer, he admonishes, should have no illusion about the endurance required but should want to write anyway. A generation after Jack Kerouac considered the vital difference between talent and genius<\/a>, Baldwin notes:<\/p>\n

\n

If you are going to be a writer there is nothing I can say to stop you; if you\u2019re not going to be a writer nothing I can say will help you. What you really need at the beginning is somebody to let you know that the effort is real.<\/p>\n<\/blockquote>\n

<\/a>
James Baldwin with Shakespeare, 1969 (Photograph: Allan Warren)<\/figcaption><\/figure>\n

In a sentiment reminiscent of Joan Didion\u2019s observation that she writes in order to gain better access to her own mind<\/a>, Baldwin speaks to the consciousness-clarifying function of the creative impulse:<\/p>\n

\n

When you\u2019re writing, you\u2019re trying to find out something which you don\u2019t know. The whole language of writing for me is finding out what you don\u2019t want to know, what you don\u2019t want to find out. But something forces you to anyway.<\/p>\n<\/blockquote>\n

Much of that self-revelation, Baldwin points out, happens not during the first outpour of writing but during the grueling process of rewriting. Echoing Hemingway\u2019s abiding wisdom on the crucial art of revision<\/a>, he adds:<\/p>\n

\n

Rewriting [is] very painful. You know it\u2019s finished when you can\u2019t do anything more to it, though it\u2019s never exactly the way you want it\u2026 The hardest thing in the world is simplicity. And the most fearful thing, too. You have to strip yourself of all your disguises, some of which you didn\u2019t know you had. You want to write a sentence as clean as a bone. That is the goal.<\/p>\n<\/blockquote>\n

But as essential as that sense of incompleteness may be in guiding the revision process, it must be mediated by the awareness that completeness is a perennial mirage. (Decades later, Zadie Smith would observe in her ten rules of writing<\/a>: \u201cResign yourself to the lifelong sadness that comes from never \u00adbeing satisfied.\u201d<\/em>) Baldwin offers:<\/p>\n

\n

When you\u2019ve finished a novel, it means, \u201cThe train stops here, you have to get off here.\u201d You never get the book you wanted, you settle for the book you get. I\u2019ve always felt that when a book ended there was something I didn\u2019t see, and usually when I remark the discovery it\u2019s too late to do anything about it.<\/p>\n<\/blockquote>\n

Adding to the endlessly fascinating daily rhythms of great writers<\/a>, which reflect the wide range of differences in the cognitive conditions of the ideal writing routine<\/a>, Baldwin shares his work habits:<\/p>\n

\n

I start working when everyone has gone to bed. I\u2019ve had to do that ever since I was young \u2014 I had to wait until the kids were asleep. And then I was working at various jobs during the day. I\u2019ve always had to write at night. But now that I\u2019m established I do it because I\u2019m alone at night.<\/p>\n<\/blockquote>\n

Complement The Writer\u2019s Chapbook<\/em><\/strong><\/a> \u2014 a treasure so wisdom-packed that it is a tragedy to see it fall out of print \u2014 with Joseph Conrad on what makes a great writer<\/a>, Willa Cather on the life-changing advice that made her a writer<\/a>, and Jane Kenyon on what remains the finest ethos to write and live by<\/a>, then revisit Baldwin on the artist\u2019s role in society<\/a> and his terrifically timely conversation with Margaret Mead about race and identity<\/a>.<\/p>\n

\n

donating = loving<\/h3>\n

For seventeen years, I have been spending hundreds of hours and thousands of dollars each month composing The Marginalian<\/em> (which bore the outgrown name Brain Pickings<\/em><\/a> for its first fifteen years). It has remained free and ad-free and alive thanks to patronage from readers. I have no staff, no interns, no assistant \u2014 a thoroughly one-woman labor of love that is also my life and my livelihood. If this labor makes your own life more livable in any way, please consider lending a helping hand with a donation<\/a>. Your support makes all the difference.<\/p>\n

\n

newsletter<\/h3>\n

The Marginalian<\/em> has a free weekly newsletter. It comes out on Sundays and offers the week\u2019s most inspiring reading. Here\u2019s what to expect<\/a>. Like? Sign up.<\/a><\/p>","protected":false},"excerpt":{"rendered":"

\u201cTalent is insignificant. I know a lot of talented ruins. Beyond talent lie all the usual words: discipline, love, luck, but most of all, endurance.\u201d In 1989, Paris Review founding editor and trailblazing interviewer George Plimpton edited a wonderful collection titled The Writer\u2019s Chapbook: A Compendium of Fact, Opinion, Wit, and Advice from the 20th […]<\/p>\n","protected":false},"author":1,"featured_media":50303,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43],"tags":[],"class_list":["post-50302","post","type-post","status-publish","format-standard","has-post-thumbnail","category-life"],"publishpress_future_action":{"enabled":false,"date":"2026-10-25 12:12:50","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/50302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/comments?post=50302"}],"version-history":[{"count":0,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/50302\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media\/50303"}],"wp:attachment":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media?parent=50302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/categories?post=50302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/tags?post=50302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}