{"id":39295,"date":"2026-01-01T00:40:56","date_gmt":"2026-01-01T00:40:56","guid":{"rendered":"https:\/\/gpnewswire.com\/news\/a-guide-to-the-2026-venice-biennale-national-pavilions\/"},"modified":"2026-01-01T00:40:56","modified_gmt":"2026-01-01T00:40:56","slug":"a-guide-to-the-2026-venice-biennale-national-pavilions","status":"publish","type":"post","link":"https:\/\/gpnewswire.com\/news\/a-guide-to-the-2026-venice-biennale-national-pavilions\/","title":{"rendered":"A Guide to the 2026 Venice Biennale National\u00a0Pavilions"},"content":{"rendered":"<p><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe central attraction at the Venice Biennale is its main exhibition, a curated show meant to pinpoint a dominant theme in art as it stands right now. But all around it are pavilions staged by countries, with each nation selecting one or more artists to mount their own show or installation. These national pavilions have contributed to the common conception of the Biennale as the art world\u2019s Olympics: a place where stars are born and nations flex their might. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe national pavilions tend to remain in flux until the very end. In 2024, the wars in Ukraine and Gaza upended several nations\u2019 plans to exhibit at the Biennale. In 2026, those conflicts have once again roiled this area of the Biennale, with Australia canceling and then reinstating its selected artist and the status of Israel and Russia\u2019s participations still unclear. Uncertainty within a given country can also affect their planned participation, as was the case with the government shutdown delaying the announcement of the US Pavilion.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBut to get a sense of how the national pavilions currently stand, we\u2019ve collected a list of all the national pavilions announced for the 2026 Venice Biennale, whose main exhibition will take the title \u201cIn Minor Keys.\u201d While not a requirement, a number of countries often align their picks to resonate with the theme of the main exhibition.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tKoyo Kouoh, the former executive director and chief curator of Zeitz Museum of Contemporary Art Africa in Cape Town, South Africa, <a href=\"https:\/\/www.artnews.com\/art-news\/news\/koyo-kouoh-2026-venice-biennale-curator-1234725662\/\" rel=\"nofollow noopener\" target=\"_blank\">was selected<\/a> as the main exhibition\u2019s curator in late 2024. She <a href=\"https:\/\/www.artnews.com\/art-news\/news\/koyo-kouoh-dead-zeitz-mocaa-venice-biennale-1234741860\/\" rel=\"nofollow noopener\" target=\"_blank\">died unexpectedly<\/a> on May 10, 2025, just weeks before her theme was to be announced. The Biennale has <a href=\"https:\/\/www.artnews.com\/art-news\/news\/venice-biennale-koyo-kouoh-2026-in-minor-keys-1234743556\/\" rel=\"nofollow noopener\" target=\"_blank\">made the decision<\/a> to proceed with Kouoh\u2019s vision for the exhibition, \u201cwith the full support\u201d of Kouoh\u2019s family, and a team of five curatorial advisers will realize the show. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tNearly all of these shows are official national pavilions. But this list also include some presentations that are technically considered collateral events, since the Biennale only confers national pavilion status to countries that have official diplomatic ties with Italy. We\u2019ve noted which pavilions listed below are classed as collateral events.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tBelow, a guide to every 2026 Venice Biennale national pavilion announced so far. This list will be regularly updated as additional countries announce their pavilions.<\/p>\n<div>\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<div class=\"u-gallery-app-shell__figure u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__text u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__text-small u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__content u-gallery-app-shell__content-1 u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__content u-gallery-app-shell__content-2 u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__content u-gallery-app-shell__content-3 u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<div class=\"u-gallery-app-shell__content u-gallery-app-shell__content-4 u-gallery-app-shell u-gallery-react-placeholder-shimmer\"><\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The central attraction at the Venice Biennale is its main exhibition, a curated show meant to pinpoint a dominant theme in art as it stands right now. But all around it are pavilions staged by countries, with each nation selecting one or more artists to mount their own show or installation. These national pavilions have [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":39296,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-39295","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art"],"publishpress_future_action":{"enabled":false,"date":"2026-10-25 11:19:27","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/39295","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/comments?post=39295"}],"version-history":[{"count":0,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/39295\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media\/39296"}],"wp:attachment":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media?parent=39295"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/categories?post=39295"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/tags?post=39295"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}