{"id":38015,"date":"2025-12-20T00:20:05","date_gmt":"2025-12-20T00:20:05","guid":{"rendered":"https:\/\/gpnewswire.com\/news\/can-the-british-museum-lend-its-way-out-of-criticisms-over-its-colonial-holdings\/"},"modified":"2025-12-20T00:20:05","modified_gmt":"2025-12-20T00:20:05","slug":"can-the-british-museum-lend-its-way-out-of-criticisms-over-its-colonial-holdings","status":"publish","type":"post","link":"https:\/\/gpnewswire.com\/news\/can-the-british-museum-lend-its-way-out-of-criticisms-over-its-colonial-holdings\/","title":{"rendered":"Can the British Museum Lend Its Way Out of Criticisms Over Its Colonial\u00a0Holdings?"},"content":{"rendered":"<p><!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe British Museum is sending some of its prized art and artifacts on long-term loan to countries that the British Empire previously colonized. While those nations have long called for the repatriation of objects they consider stolen, the institution may be hoping to blunt some of those criticisms by sending valuable historical items\u2014though not always those that come from the recipients of the loans.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tA Mumbai museum, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), is now host to a loan of some 80 artifacts, including an ancient wooden model of an Egyptian riverboat and devotional Sumerian statues from 2200 BCE, as well as a Roman mosaic from London and a marble bust of Roman emperor Augustus, the <a href=\"https:\/\/www.telegraph.co.uk\/news\/2025\/12\/17\/british-museum-loans-artefacts-india-help-decolonisation\/\" rel=\"nofollow noopener\" target=\"_blank\"><em>Telegraph<\/em><\/a><em> <\/em>reports, noting that it is the largest ever loan of ancient material to India and the first deal of its kind between the British Museum and a non-Western museum.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cYou don\u2019t have to embarrass your own country to do something positive with another country,\u201d British Museum director Nicholas Cullinan told the <em>Telegraph<\/em>. \u201cIt can actually be very beneficial. Cultural diplomacy, that\u2019s what museums should do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe artifacts are on view in a gallery that disputes \u201ccolonial misinterpretation\u201d by highlighting India\u2019s contributions to civilization, says the paper.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cAll cultures are great cultures and we need to respect all cultures,\u201d said Sabyasachi Mukherjee, director general of the CSMVS museum. \u201cThrough this exhibition, there is decolonisation, an attempt is made to decolonise the narrative. We suffered for many years and colonisation penetrated into our education, our culture. There is a kind of emergence. I\u2019m going to use the word \u2018revolt\u2019, but we are emerging with dignity and are very proud of history.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\">\n<div class=\"c-lazy-image  \">\n<div class=\"lrv-a-crop-16x9\">\n<p>\t\t\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.artnews.com\/wp-content\/themes\/vip\/pmc-artnews-2019\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/12\/Chhatrapati-Shivaji-Maharaj-Vastu-Sangrahalaya.jpg?w=400\" alt=\"The Chhatrapati Shivaji Maharaj Vastu Sangrahalaya or Prince of Wales Museum of Western India, the main museum in Bombay (Mumbai), India, 1972.  (Photo by Harvey Meston\/Archive Photos\/Getty Images)\" data-lazy-srcset=\"https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/12\/Chhatrapati-Shivaji-Maharaj-Vastu-Sangrahalaya.jpg 2000w, https:\/\/www.artnews.com\/wp-content\/uploads\/2025\/12\/Chhatrapati-Shivaji-Maharaj-Vastu-Sangrahalaya.jpg?resize=400,265 400w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\" height=\"679\" width=\"1024\" \/><\/p><\/div>\n<\/div><figcaption class=\"c-figcaption  lrv-u-font-size-12 lrv-u-flex lrv-u-flex-direction-column lrv-u-padding-tb-025\">\n<p>\t\t\t\t\t<span class=\"lrv-u-font-size-14@desktop\">The Chhatrapati Shivaji Maharaj Vastu Sangrahalaya or Prince of Wales Museum of Western India, the main museum in Bombay (Mumbai), India, 1972.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-u-color-grey\">Harvey Meston\/Archive Photos\/Getty Images<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe British Museum holds many contested artworks, including a number of bronze sculptures from the African kingdom of Benin, known as the Benin Bronzes, and the Parthenon Marbles (formerly known as the Elgin Marbles), from Athens. The British Museum Act of 1963 forbids the institution from turning over such contested items, though talks have long been underway between British and Greek authorities about <a href=\"https:\/\/www.artnews.com\/art-news\/news\/parthenon-marbles-uk-greece-agreement-loan-1234725959\/\" rel=\"nofollow noopener\" target=\"_blank\">a possible loan<\/a> of the marbles. The museum also <a href=\"https:\/\/www.artnews.com\/art-news\/news\/looted-asante-artifacts-return-ghana-british-museum-1234706961\/\" rel=\"nofollow noopener\" target=\"_blank\">previously lent<\/a> some looted Asante artworks to a museum show in Ghana.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tOne notorious example of misappropriated treasures from India\u2019s colonial era is the Koh-i-Noor diamond, which originated in the Kollur mine in current-day Andhra Pradesh, India, and now part of the Crown Jewels. (The diamond is currently set in Crown of Queen Elizabeth The Queen Mother and is housed in the Tower of London, along with the rest of the Crown Jewels; it is not owned by the British Museum.) It was surrendered to Queen Victoria when she was crowned Empress of India. India, Iran, Pakistan, and Afghanistan have all demanded its return.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tThe British Museum also holds the Amaravati Marbles, which come from the Great Shrine of Amaravati, built around 200 BCE, also in Andhra Pradesh, one of the largest and most important Buddhist monuments in ancient India.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\tMany museums throughout the West have made an effort in recent years to return looted artifacts to their countries of origin, including <a href=\"https:\/\/www.artnews.com\/art-news\/news\/repatriation-looted-artifacts-activists-social-media-campaigns-1234646757\/\" rel=\"nofollow noopener\" target=\"_blank\">examples from India<\/a>. Cullinan\u2019s proposal explores a different route.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-margin-lr-auto  lrv-a-font-body-m   \">\n\t\u201cThere is another model, a much more positive one of collaboration rather than this kind of zero-sum, binary, all-or-nothing model that people put forward,\u201d Cullinan told the <em>Telegraph<\/em>. \u201cWe think that this model that we are developing is a very positive one, and is very innovative. Every case is different, you can never apply the same criteria to two different cultures, countries or territories. Some are more difficult than others. But we\u2019re still trying.\u201d<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>The British Museum is sending some of its prized art and artifacts on long-term loan to countries that the British Empire previously colonized. While those nations have long called for the repatriation of objects they consider stolen, the institution may be hoping to blunt some of those criticisms by sending valuable historical items\u2014though not always [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":38016,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[37],"tags":[],"class_list":["post-38015","post","type-post","status-publish","format-standard","has-post-thumbnail","category-art"],"publishpress_future_action":{"enabled":false,"date":"2026-10-25 18:24:38","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/38015","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/comments?post=38015"}],"version-history":[{"count":0,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/posts\/38015\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media\/38016"}],"wp:attachment":[{"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/media?parent=38015"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/categories?post=38015"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gpnewswire.com\/news\/wp-json\/wp\/v2\/tags?post=38015"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}